In the New Year there was an unaccountable lapse with a production of
an Alan Bennett play, Getting On, which the cast will want to forget. Then
the ingenuities of Alan Ayckbourn's double exposure treatment in How the
Other Half Loves, playing havoc with the unities of time and place. At
the end of the season Stoppard's Rosencrantz and Guildenstern Are Dead
was another solid success for that team of two who have been mentioned
too often. Suffice it to say that Richard Hart can go on telling his friends
about the week he played Hamlet.